Last week we examined the industrial and socio-cultural dominance of only three global music corporations.
This week we examine the themes that all the top names in music must serve and obey — whether they personally like it or not.
At the apex of the world music industry, genres are distinctly black and distinctly white. R&B with hip-hop now define contemporary Negroid music, and the brand of rock now known as Satan Metal leads the pack in Caucasoid music.
Commonly, black and white music genres at that level are plagued with Satanist themes and Luciferian goals. All this is not only about spreading evil and influencing people for evil.
It is about conditioning minds of music consumers towards a New World Order.
Some researchers hold that it is also about reprogramming minds of societies towards the reinstitution of African human bondage which was in effect during the slave trade of 1440 to 1840.
While the slave trade was driven by colonial (imperial) interests and commercial goals, it was spiritually controlled by Satanist groups such as the Rosicrucians and the Knights Templar (who are allied with the Freemasons).
In his Redemption Song, the last song on his 1980 Uprising album, Bob Marley sang, ‘Emancipate yourself from mental slavery, none but ourselves can free our minds.’
That message has fallen out of favour with most black musicians today, and their hollow songs are in fact reversing the black race top speed into mental slavery.
In his 1994 autobiographical book Days of Grace, Arthur Ashe complained that while ‘nigger’ was a derogatory term resisted from the times of the slave trade, today’s black artistes are proud to wear the term like a badge. Ashe (1943-1993) was the first black player selected to the United States Davis Cup team and the only black man ever to win the singles title at Wimbledon, the US Open and the Australian Open. He retired in 1980.
Ashe lamented that black youngsters were no longer able to aspire for professional, productive careers by going through the educational process because ultra-rich young blacks were either drug pushers and gangsters on the one hand, or sportsmen and women on the other hand.
Professional careers were sadly unappealing because of the negative fast-forward dollar culture, which had reduced the influence and presence of educated blacks in policy-making strata.
On top of that, the blacks now call themselves ‘dog.’ Think about black-on-black killings in music.
And what else can you conclude when a top black American outfit call themselves Bone Thugs in Harmony? In fact, mega-business presently exploits the dogs, thugs and gangsters milieu in adverts aimed at selling to increasing populations of misguided black youths.
Jeffrey Hicks, a member of National Advisory Council of the Black Leadership Network Project 21, has written an article: How Hip-Hop Destroys the Potential of Black Youth.
He argues that hip-hop “is no longer the fad some once considered it. Unfortunately, it is also having a profound negative impact on young blacks. This aspect of hip-hop can no longer be tolerated.”
He adds that “It now serves to glorify formerly stigmatised characteristics of the lower class, preventing the impetus for upward mobility.”
Hip-hop’s defiance of mainstream life is at the root of much of the underachievement among black youth.
The hip-hop mindset is that young blacks who emulate mainstream attitudes are exhibiting weakness.
“When young men prance around with their ostentatious ‘bling,’ they illustrate their worthiness to the opposite sex. Materialism becomes a means for winning sexual conquests.
Yet another is cultivating one’s thug factor through braided hair, baggy clothing, ghetto diction and street reputation.”
He concludes: “Let’s face it. Hip-hop culture deadens the drive toward civility and legitimises backwardness. It is high time the general public comes to terms with the social damage it perpetuates.
If not, we can all count on yet another inner-city generation suffering from wasted potential.”
In Zambia today, recording and performing artistes alike are playing a separate role in raising a young generation without any sexual restraint.
In the first 30 years after independence, songs offered moral and social wisdom; marital counselling; ideas about parenting; love for country and good citizenship. Those themes have steadily faded away, and unless one sings for Jesus Christ, most songs are about sex for fun.
DIVINE RIGHT
From the time the United States was formed on July 4, 1776 certain entities have believed that they have a divine right to secretly build “Utopias” from the genius, bodies, hearts, minds, soul, inheritances and “destiny” of Africans, Native Americans and the ‘People of Colour.’
These include such Satanist bodies as the Knights Templar, the Rosicrucians and the Satanic Elizabethans.
They have over time recruited into their ranks talented singers and musicians to purvey their mind control goals.
This trend appears to be confirmed in the American horror story: The Coven which ran in the US from October 6, 2013 to January 29, 2014.
In The Coven, the TV show resurrected the racial mass murderer Baroness Delphine LaLaurie (Kate Bates).
In The Coven, Madame Marie Laveau (Angela Bassett) gives the condemned Baroness Lalaurie an immortality magick potion that grants her soul and head (the Medusa Head) immortality and renewed life to haunt Africans and People of Colour into our current century. Madame Marie Laveau then decapitates Baroness La Laurie and buries the body.
This runs parallel to an incident in 1440 when Baron Gilles de Rais, Duke of Brittanny (England) was burned to death in Nantes, France, for murdering hundreds of children.
Before he was completely destroyed, female relatives asked for his remains so they may be interred in holy ground (to guarantee his immortality), and they were permitted.
The Medusa Head symbolised the unleashing of the slave-trading spirit of racial hatred to torment the peoples of Africa to this day.
In fact the slave trade which started in 1440 is operational on parts of the continent in the form of human trafficking.
There are places in the US where thousands of African slaves were sacrificed in the Black Mass, often involving Madame Marie Laveau and Baroness Lalaurie who feature in The Coven.
Today, the parents of certain global divas are believed to have sold away the souls of their little girls through a Black Mass involving traumatic sexual abuse, all for fame and wealth and fortune.
In short, the exploitation of modern music is aimed at the renewed spiritual subjugation of the black African race by appealing to the spiritual roots of the slave trade.
This is part of the preparation for the emergence of the Anti-Christ to rule the world before the Armageddon breaks out and closes history.
Many global stars have been to schools pioneered by Italian physician and educator Maria Montessori (1870-1952). She had a vision of a race of the New Child (Destiny Child), a superior being having supernatural powers of mind and spirit.
These are ‘mystery schools’ whose ultimate purpose is the evolution of the elite who are promised omniscience or all-knowing status, who will lead to a New Humanity. Such children, exposed to demonic possession, are now pioneering previously unseen levels of musical darkness.
FEAR
There are open indications that the demonism that top artistes are into is forced on many of them, throwing them into a life of fear. Some have been observed to wear the Jewish Mystical Red Bead with the Kaballah String on their wrists or necklines to protect themselves against the Evil Eye, demons and fallen angels when they realise just what darkness they have ventured into.
The death of Bobbi Kristina Brown after she was found immobile in a bathtub in her home in Roswell, Georgia, on July 26 this year has been blamed on operatives of the Ninth Satanic Circle Cabal. Of interest, both mother and daughter died in the same way — murdered in a bath tub. Whitney died in 2012.
Apparently Whitney was fearful that she and her daughter would be harmed by dark forces, hence her desire to visit Israel and be baptised again in the Jordan River by the African Israelites (Black Hebrews). The Black Hebrews had baptised her when she and then husband Bobby Brown visited in May 2003.
Freemasons of the Mossad are believed to have cleared Whitney to ensure that Bobbi did not reach the Jordan and thus remained vulnerable to the blood sacrifice cabal.
What causes the fear that the musicians live in? The fear comes because of deathly demands that the spirits begin to make off-stage on the individual. Bobbi is seen as an example of a blood sacrifice that her mother Whitney feared would happen but did not want to offer in spite of going through certain ceremonies.
It is all about Pan, god of music. Those who want to see the peaks of music dominion on earth participate in many ceremonies, one of which is Lupercalia.
This is the feast of Lupercus the deified mighty wolf hunter of Rome, and is an ancient Roman human blood sacrifice. In ancient times, this celebration also included worship of the goddess of fertility, Venus.
Lupercus is the god of shepherds.
The Greeks called Lupercus by the name of “Pan.” In the Middle East, Pan was called Baal. Pan is the guardian god of Arcadia. Those who are aware will have noticed the Pipes of Pan on certain album covers. The Rites of Pan is a cultural festival performed among the Jajouka of Morocco, and Brian Jones, founder of the Rolling Stones, recorded this event and released an album in 1968.
Satan is Pan, the god of music who actually was in charge of Heaven’s music before his fall. Ezekiel 28:13 is only a snapshot of what the Most High says about this fallen archangel:
“The workmanship of your timbrels and pipes was prepared for you on the day you were created.” (The narrative starts with verse 11 and goes as far as verse 19, and parallels Isaiah 14.)
For sure, rivers of money, the power and the glory do flow in as soon as the blood covenant has been signed with Pan or Lupercus, and the songs hit the market. Some music contracts are signed not with ink but with the extracted blood of the musician.
Before Bobbi died at 22, her close friend Chelsea Ivanna Bennett died at 20 of a heroine injection on March 3, 2014, having known too much about Bobbi and her close circle. Another close friend Shebly Derrington died at age 20 in August same year due to bleeding in her brain. While medical doctors linked her death to a car accident injury a year before, it was believed she also knew too much about Bobbi and certain people she associated with.
SATAN METAL
The majority of black performers have been reticent about their Satanism. Satan Metal bands do not waste anyone’s time and they lay it on straight. Here below are the top 10 bands:
At number 10 is Nattefrost. Their music calls forth evil entities and dark forces, with songs like Satanic Victory, Sluts of Hell, Mass Destruction from their 2004 album Blood and Vomit. Their 2006 album Terrorist presents songs like Primitive Death, Goat Worship, and Satan is Endless Satan is Timeless.
Their sound has been described as the type you would hear in nightmares.
At number nine is Morbid Angel. This band is ranked among the most successful first wave of American Death Metal bands.
They produce what has been called ‘extreme metal,’ and their first album Covenant done in 1993 is seen to be their most Satanic yet.
At number eight stands The Electric Hell Fire Club (EHC). The EHC music promotes serial killers, mass murder, Devil worship, carnal lust, orgies and drug abuse. Its leader
Thomas Thorn is an ordained priest of the Church of Satan and even gave a eulogy for the founder of the church, Anton La Vey on his death in 1997.
At number seven is Satyricon, a Black Metal band from Norway.
Their works draw from medieval history, ancient paganism, the occult and the nature of evil. At number six, Marduk is a band named after an ancient Babylonian god.
This Swedish band proclaims Satanism, anti-Christianity and focuses on World War II memories. Some of their songs include Death Sex Ejaculation, Burn My Coffin. Other titles are unprintable here.
At number five, the Polish band Behemoth. Drawing from ancient Nordic paganism and the occult, the group combines darkness of Black Metal with the brutality of death metal to promote its anti-Christian themes and Satanic philosophies. Their anticipated album is The Satanist.
At number four, Brujera. This Spanish-singing band is believed to consist of actual Mexican Satanic drug lords. It is thought to have within it members of bands like Fear Factory, Napalm Death, Carcass, Faith No More, Dead Kennedys, Terroriser and others. Brujera means ‘witchcraft.’
Their songs include Narcos Satanicos (Satanic Drug-Dealers), Molestando Ninos Muertos (Molesting Dead Children), Almas de Venta (Souls for Sale) and Sesos Humanos Sacrificio (Human Brain Sacrifice).
Their most infamous album is the 1993 work Matando Gueros (Killing Whiteboys) which had the decapitated, rotting head of a white man on the cover.
The FBI asked the group where they got the head from.
At number three is Dark Funeral. Their nocturnal and symphonic black metal hymns promote hatred, devil worship and black arts. At number two, Deicide.
The name means ‘the killing of God.’ The band sparks controversy among many Christian groups with album titles like Once Upon the Cross (1995), Serpents of the Light (1997), In Torment In Hell (2001), and To Hell With God (2011).
The band has been sued severally for animal torture, and influencing suicide, crime and even murder. With their latest album Minds of Evil, Deicide is in the top three highest selling Death Metal bands of all time, (along with Cannibal Corpse and Morbid Angel).
Top of the pyre at number one is Mayhem. Formed in Norway in 1984, the band’s performances have lately included blood, knives, and even pig’s heads on metal spikes.
It sings about death and the occult. Two of its members have died violently.
Zambia urgently needs purposeful, wholesome, inspirational and responsible music, especially quality biblical artistry that shows the salvation and healing grace of Jesus Christ.
In 1854, American historian Henry David Thoreau said: “Even music may be intoxicating. Such apparently slight causes destroyed Greece and Rome, and will destroy England and America.”
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